A bunch of rebel amphibians seized the machines to create a twisted yet distinctive elektro-industrial music in order to make us, humans, aware of their points of view on our own pittyful nature. And, as if it wasn't enough, a tribe of like-minded undergroud artists destroyed and reconstructed a couple of the tracks to give the listener another chance to understand...

"Amphibians" is a 2 cd odyssey of eclectic soundscapes, diverse rythms and heavily distorted vocals that is a must for everyone who feels that the actual music scene isn't innovative enough.

by Pierre Pisonnault (electro-chocs)

I now finally have the 'Amphibian' album in my possession. And yes, I am totally impressed. One of the best discs I have come across in a long time.

I also want you to know that also birds can find pleasure in your music. The fact that my parrots reacts to the frog samples should not be a shock to anyone. But the track 'stepbackUP' made them DANCE. Yes, really.

(Human favourites are by the way tracks 6 and 9.)

Respect,
/Fredrik

reviewed by Steven of REGEN MAG
http://www.regenmag.com

Band: Diverje
Category: EBM
Album: Amphibian

DSBP Records mastermind Tommy T continues his own sonic journey through the creative process of music in his innovative and highly addictive band Diverje. His latest offering Amphibian is two discs of music (one of new material and another of remixes of the same material) that he describes as "antipop-elektro-industrial." Diverje's sound is a diverse one indeed, but for our purposes in this review I am going to refer to them as being EBM. This album is a thematic one that describes man's brutally competitive and uncaring side that is contrasted by the gentle nature of amphibians, most specifically frogs. Tommy's influence for this album is his own family of frogs that he houses in an indoor jungle. Bringing him peace and perspective as well as some very inventive and interesting samples, the frogs have done Diverje and Tommy T himself a great service. Fluid synths, distorted yet melodic vocals, commanding breakbeats and soothing frog samples are what you will find in this fourteen track opus. My favorites on this album include the title track "Amphibian," which has a bassline that demands I tap my feet to it and which lingers in my head (not unpleasantly) for hours after it is over. "Images," provides hyper drum beats that sound almost tribal in nature, a haunting synth soundscape and T's electro-tweaked vocals. "Red-Eyed" hits hard with quick synth chords and showcases T's more aggro side as the vocals are more forceful than previously heard on the album. A nice change up that doesn't sound out of place. The second disc does not break any new ground, but it does offer a perfect compliment to the first disc as you are given several interpretations of Diverje remixed. Highlights on this disc include a much more tranced-out dance version of "Images" done by Aghast View, a synthesizer doused bassfest rendition of "In2The trap" by E.S.R. and a slowed yet still danceable version of "Amphibian" by Croc Shop. Amphibian is a very powerful album in that the music is enjoyable and the lyrics are poignant. The production is fantastic and the album is a treasure trove of ingenious sounds not tried before. This album breaks new ground for not only the sub-genre of EBM, but for the genre of Industrial as a whole. Go and get it, it is probably one of the cheapest new two disc releases that you can buy, so you have no excuse for not checking this one out!

Amphibian, the latest release from Tommy T’s project Diverje, delivers not only 14 tracks of excellent elektro-industrial music, but also an extra disc containing 14 more tracks of remixes by such bands as Croc Shop, Aghast View, and E.S.R. This translates to nearly two and half hours of music, on a standard release nonetheless, that makes one wonder why you’d settle for anything less.

Listening to Amphibian was like a breath of fresh air from all of the future pop that is suffocating the industrial/EBM scene. The first track immediately sets the general feel of the disc, providing samples of frogs, catchy bass lines, processed vocals, and well produced soundscapes. The album is devoid of redundancy and tracks vary from high tempo, hard elektro (e.g. tracks “Amphibian” and “Red-Eyed”) to relatively soft and melodic, ambient sounding songs (such as tracks “Polliwog” and “Stronger”). Though I was quite content with the 14 original Diverje songs, the extra disc of remixes was a welcomed bonus. The remixes, like the rest of the album, were equally varied and high-quality, but I was particularly fond on the E.S.R remixes; which gave the songs a harder edge.

As mentioned earlier, Amphibian definitely stands out among other current releases and is a must-listen for anyone into elektro industrial or anyone just looking for something a bit different. There isn’t a track on the album that I don’t like, and I can say with confidence that it is definitely one of my favorite releases of 2003.

[Dominic Etzold - Industrial Nation]

(Review from Trevor N. in the U.K. who recently bought the dcd at MUSIC NON-STOP in the UK...)

I just wanted to say how impressed I am with the new album, a wonderful album, one of the highlights from the last few years. As much as I enjoyed your previous work, Amphibian is such an improvement.

The sound/production is better.
The synth programming is amazing.
The vocals vary more, with some great treatments used.
The rhythms are captivating & sound like a real drummer at time, giving a more organic feel.

Favourite track is Stronger, love the vocals & electronics here.
Other favourites:
Red Eyed-Captivating strong track, lots happening.
Stepbackup- Killer bass line. Can't-keep-stillable track. No remixes!?
Compianion- Superb sound/feel.
Final Conflict - Captivating, get-lost-in, Velvet Acid style.

Only track I didn't like was Siliconed which I found awkward/disjointed.

Favourite remix was Bio-Mechanical Degeneration's Red Eyed. Superb sound here. Other favourites were tracks 3 (class!), 5(great sound again), 9 (catchy/clever), 13 (clever job) & 14 (groovey, shows off those twangy bass sequences, top class).

A classic album overall with a unique style & sound.

Best wishes

Trevor Newman

Diverje's Amphibian is packed with powerful messages and surprises. Every single track captures something unique and extraordinary. Having listened to the songs repeatedly, it is not something you grow tired of. The energy and lyrics are amazing. Tommy T voices what many of us feel and think but do not say. Kindel (Liquefaction) captivates us with the perfect blend of mixes. When you buy this cd and I highly recommend you should, do not just listen to it, hear it. You have to admire and respect someone that tells us like it is.

Broken: This song shows the sullen side of those that have pretty much given up on their own individuality and confidence in themselves. Tommy T encourages those that have fallen in the?broken? path to realize the fight is never over if you keep the faith and speak up!

Amphibian: This track has powerful vocals intertwined with perfect mix of electronic beats. The imagery is this song is wonderful, almost like poetry in motion. Amphibian definitely shows Tommy T?s passion for music.

Deliverance: This track speaks of all of our fears. We work so hard and it can get taken away from us with just the blink of an eye. Unfortunately, we are a "quicksand culture" surrounded by greed and ignorance. Do not be a follower, be an individual.

In2 the Trap: What a killer track! It is as if you are being whipped by words and beats. We have all met people before that tangle webs around us and we fall into their power. It is up to us to destroy that web and make a decision that matters.

Images: September 11th is perfectly shown in this. The true vision of sadness, death, and destruction of that horrible day will constantly surround us. Visions do not fade. An impressive and meaningful song that contains riveting beats.

Red-Eyed: The rhythm of the song is wickedly cool. I immediately thought of the "sheeples" when I heard this song. Tommy T is not afraid to speak the truth when he says, "conformist, blind sheep, led to the slaughter, you follow what they say, like a robot." Too many people follow in2 the trap of doing what they think is the "in thing" to do.

StepbackUp: This is definitely a straight "in your face" song. I would dedicate this to all those that lack faith in others! The lyrics speak of someone that is degraded and belittled but prevails because no matter what they StepbackUp. An inspiring track that shows self-confidence and belief is important.

Stronger: This song just makes you want to dance. My children let loose to this song. Once again, Tommy T writes the lyrics that are uplifting and inspiring by showing us we can overcome anything that crosses our paths.

Companion: A beautiful song with a softer side that holds the true definition of a companion or loved one. A different song for Diverje that is dreamy mixed with a bit of harshness. This a beautiful tribute.

Siliconed: I love the diversity of this track . It has a variety of different musical sounds and vocal tones. The fluctuating pace is amazing. A little extra-added surprise is Kindel's guitar solo, which adds a unique sound to the track. Lyrically, this speaks how this world is so focused on outer appearances instead of beauty from within. This is certainly a song with lyrics that reflect images of a few mainstream artists.

You Suck: The intro is fascinating in this, very trance like. Lyrics are blunt and straight to the point. This is another great song that shows that the majority of this world acts in mechanical ways. We do, say, and think according to what we assume others will respond to. We follow in footsteps of those that are plastic.

Final Conflict: This mesmerizing track draws you right in. The lyrics somewhat resemble what is to happen during the end of times. A dark and deep song with enthralling beats that really makes you think about our final days.

Re-Animate: Tommy T's vocals are gripping in this song. His thoughts put into lyrics are compelling and intriguing and make your thinking range from cloning to the tribulation.

PolliWog: This is a great upbeat instrumental piece with an artistic approach that is completely rare and dimensional.

Within every song, there is a different sound and message which makes this cd so refreshing and profound.

Amphibian Review by "CyberLexi" (independent writer/reviewer) in New Jersey.

http://www.wetworksezine.com

File: Diverje | Data: Amphibian | Protocol: DSBP Records Operative: GunHed

After the great 2CD remix album "2:40 AM," Tommy T and his project Diverje are back with another brand new 2CD album entitled "Amphibian." All the usual traits of hard and sometimes mellow electro sounds are present as well as some new influences. The new CD revolves around the theme of amphibians with interesting use of frog samples and manipulated sounds. "Amphibian" also features some creative drum programming (just listen to the hard hitting tracks "Broken" and "Amphibian"!). The drum programming on "Amphibian" is just one of the many evolutionary steps shown by Diverje on this new album.

Disc 2 features remixes from Aghast View, The Mercy Cage, E.S.R., Bio-Mechanical Degeneration, Auspex, Data Rapa, Fr/action, Tecnoman S.F., Babel-17, System Syn and Crocodile Shop.

The only complaint I have with this new album is the lack of variety within the voice effects. A wider range of effects and distortion on the vocals would give Diverje an even more diverse range of styles to work with. Overall though, "Amphibian" is a very unique and solid album full of interesting percussion and electronics. Recommend to fans of previous works.

Just wanted to give you some feed back about your new album. I think it is the best one yet! Great stuff! I have almost all your albums except for one Remix album. Josh from the Mercy Cage sent me this one and I am really enjoying it, I will give it Airplay on my next Radio Show in New Zealand ( Radio Active 89FM Anger Management ). (This show can be streamed off the web)

Great stuff.

Drew.
N.U.T.E

Amphibian Review by Scott Wheeler(independent writer/reviewer) in CANADA.
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1-"Broken"

The main thing to strike me about "Broken" is the way that it is in a constant state of change from beginning to end, nearly five minutes of music and lyrics that do not conform to the standard "verse, chorus, verse" pattern. Most of what you hear on the radio these days will barely make it over three minutes, four minutes being above standard for the majority of songs; but on top of this, in those three or four minutes we will hear the chorus over and over and over, until we want to power-drill out our eardrums to end the pain of repetition (or just turn off the radio, whichever is faster). In some of those songs, to waste time, they will repeat the chorus six or eight count at the end of the song. In this process, the verse is commonly neglected to the point of dreariness. "Broken" breaks free from this. Reading the lyric sheet as the song progresses, it is noteable that the only line repeated is "you are broken, we are broken," and this to a different set of sounds each time. The experimental sounds keep coming through in bass and treble, ever-changing addition of drums, and bursts of noise to keep both ear and mind tuned-in. The variety of vocal distortions and alteration between singing and screaming adds more depth to the song. Through Diverje continues to evolve, this song as well as others remain proof that the coarse edge is not lost in the flow; and that Diverje has retained its character throughout all. Certainly a song fit to be defined as diverse.

2-"Amphibian"

It can be difficult at times to compose meaningful lyrics and poetry while being limited to a single topic; but the way "Amphibian" was written hints at a true degree of understanding and empathy for frogs, not a subject about which most people would be as capable of writing. The frog chirping in this song is more prevalent than others, as it takes an active role in helping to develop the melody of the track as a whole. Of course the rhythm is above par as well, with creative distortion and effects, as well as the ever-present drum line that goes through a few change-ups throughout the song. One effect seems to emulate a siren, stressing the plight of the frogs that is outlined in the lyrics (I am trying my best to not draw the reference that the siren sounds much like a typical French police or ambulance siren). "Amphibian" is a track that brings on the rhythm without neglecting the melody, creating a very catchy experience.

3-"Deliverance"

The lyrics of "Deliverance" touch down on a bit of contradiction in our own human nature, how the things we all do tend to be completely egocentric and disregardful of how others are affected. It also speaks of another human union, to not fall in to the crowd of those who care for nothing, and to not allow them to ruin life for the rest of us. Musically it has a hint of EBM thrown in with the mandatory Diverje harshness, and the tone of the bass line undergoes a regular change every fourth sequence of the chorus that stresses the notes when "Deliverance" is said. The melodic synth-strings keep the sound varied as well, and are a very well-executed touch to the track. Despite all, "Deliverance" seems to have a more ambient quality to it than most other songs on the album. This was one of the songs I needed to listen to a few times before I began to appreciate it's blend of styles. Now that I do, I find myself moving to the music when I am not thinking about it.

4-"in2 the trap"

This is very much a drum and bass track, and may surprise those who do not expect it from Diverje. Another song that took a few listens before I began to like it. A creative and exploratory mixture of beats and rhythms to such extent that some may find it difficult to appreciate on the first listen. As always the harshness and distorted noise give it a great deal of character in the process, for those who enjoy drum and bass with an experimental edge.

5-"Images"

I think we all know what this one is about... A very controversial topic, yet one that TommyT has been brave enough to address directly and on which to express his opinions in both music and speech. Like the topic, "Images" has a rather downcast mood to it. A slow and somewhat mellow rhythm with less noise and harshness of sound than typical, but this is well contrasted by the harshness of message in the lyrics. It asks us all a question of where we stand in this matter, and tells us that avoiding it or ignoring it will not make it go away. Another meangingful song with a unique sound.

6-"Red-Eyed"

Rhythmic and intense, with a lot of action from the drum section. The vocals are very well performed and mixed, with a seamless overlapping gracing the second half of the song. The layers of high notes are as much an integral part of the rhythm as is the bass. The change up in the middle portion of the song lends itself well to the song as a whole, though there is so much more to the second part that it could very well stand alone as its own track. "Depth" would seem a key descriptive word for this song, especially for the second half and its many layers.

7-"StepbackUP"

Another song that I did not know if I liked at first, but after listening to it a few times, "StepbackUP" jumped out at me. Once again the experimentation of sound can be a bit of a turn-off to some ears at first. This is another song that never moves back in the lyrics, never repeats verses. It moves forward. A short track for the album, it is none the less deep in its right. The determination of the lyrics is emphasized by the mixture of harshness and the overall tone of the song. Relatively simple lyrics but with a profound message.

8-"Stronger"

This is one song on the album that I do not like very much. For a somewhat shorter song there does not seem as diverse in its sound as the others. It is far from being a bad song, just not something I care for that much. The mixture of effects is compelling at times, but it gets somewhat repetitive by the end. Perhaps I have just come to expect better from Diverje. Unfortunate to say so, but this song is sub-par in my reckoning.

9-"Companion"

Certainly the most sombre track on the album. Some may find its low tempo dreary at times, but it does match well with the mood of the song. There is something haunting about the ensemble of sounds, something eerie that lies perhaps just beyond the realm of human comprehension. Evidently there are many contributing factors to this, from the vocalized effects to the electric noise that penetrates our ears through the array of effects.

10-"Siliconed"

Very experimental sounds reside here in "Siliconed." Multiple layers of tweaky randomness, and the occasional strumming of an acoustic guitar grace this track. It is unfortunate that the ever-present higher pitched notes tend to drown out what is actually an extremely good drum line. The lyrics are direct reference to plastic surgery, perhaps on a prostitute, and mocking of the concept that image and perceived physical beauty are rewarded in this society.

11-"You Suck"

"You Suck" proves once again that Diverje has retained its character over the years, and that Tommy is not afraid to head off in new directions with his music. Definitely harsh and coarse, heavy and varied with distortion of both effects and vocals. Another track that I did not warm up to immediately, and understandably since it is completely original in its composition and thus will be quite a new sound to anyone who listens to it. The lyrics touch on two fronts; one being the majority vote of people in recycled ideas and the submission to a mass media that perpetuates on ignorance and lack of willpower; and the other is a shot at the mp3 file-sharers out there who do not spend a cent on music. Granted the majority of songs pirated are from large-label bands, thus my interpretation of this song is that it is more directed to those who would rip music from independent bands and labels. Everyone has their opinions, and they are neither right nor wrong; but some people found opinions on ignorance, and this song is directed at these people.

12-"Final Conflict"

More deep and epic sounds, and this one more than any other track seems to improve greatly with decibal levels. Crank it up, and see that little knob that says "bass"? Yeah, crank that one all the way to eleven, if it goes that far, and turn on the subs. As always, a creative drum line, as well as excellent merging of ambience and rhythm with even a sort of chiming melody thrown in for an eclectic style. A unique track depicting the destruction of mankind in utter lack of glory.

13-"Re-Animate"

Every song on the album brings with it a different mesh of sounds. In "Re-Animate" we are treated to a harsh pounding rhythm and changing vocal distortions. The overall sound of the song gives both a futuristic impression as well as an ancient sort of tribal atmosphere with the drum beats and synthesized flute harmony. The lyics tell a story that I find myself wishing could be told in more depth, as it greatly sparks my interest. Those who understand the story and pick up on the mixture of styles should agree that they parallel one another quite well. I realize I used the term "epic" to describe the last track, but it is fitting for "Re-Animate" as well.

14-"PolliWog"

Something completely experimental and unstructured here, with true Diverje flavour. Many frog chirps are heard throughout, ask Tommy and he might tell you what they all are. The sound keeps changing in this track, and can seem a bit random at times. Not the sort of thing to make bodies move, this track is more a testament to the sort of experimentation that must be done to keep new sounds alive and coming.

It is fitting and perhaps also intentional that "Diverje" is one letter away from both "diverge" and "diverse," two words of quite accurate definition for the band and the album.

2003 October 8
Scott Wheeler

CDs showed up today. wicked! this is the best damn electro-industrial release i've heard this year easily...aside from the 3 i've heard red-eyed & deliverance are awesome! bet this one'll go off on the dancefloors...the remixes are generally of a high standard also. mastering job on the remix disc is fucking incredible. everything sits together so well!
-Josh W

The forth studio album AMPHIBIAN from Alburqueque’s Industrial all-stars DIVERJE should easily satisfy all DIVERJE fans. AMPHIBIAN is definitely more synth and beat driven than effects. I think the progression of DIVERJE releases has definitely continued throughout each album as the band matures gracefully. This could also be a result of the numerous collaborators that core musicians Tommy T Rapisardi, Mike Whitten, and Cyboburnt bring in on each release.

DISC 1 features collaborations with: Vincent Pujol (ESR), Matt Rosen (LIAR’S ROSEBUSH), Mike Turner, Jack Elliot and Dan Morgan (MOON ROCK), John Gerteisen and Alan Smith (AUSPEX), Randall Smith (KORRUPT DATA), Kindel (LIQUEFACTION), and Brett Saltzer (SOUL CIRCUIT).

DISC 2 features remixes by: AGHAST VIEW, AUSPEX, BABEL-17, CROC SHOP, DATA RAPER, ESR/BIO-MECHANICAL DEGENERATION, FR/ACTION, THE MERCY CAGE, SYSTEM SYN, and TECNOMAN S.F.

DISC 1

The somber melodies and ethereal chord progressions make the concept album AMPHIBIAN tangible to all electronic fans. The proof begins in the melodic album opener "Broken" and continues right through the last track "PolliWog". Even the more aggressive in-your-face tracks are melody-driven rather than saturated with samples and effects. The title-track "Amphibian" demonstrates the most fascinating vocal work and vocal layering I have ever heard.

Tracks such as "In2The Trap" and "Red-Eyed" display classic Industrial/EBM menace with WUMPSCUT-esque rhythms while sticking to the melancholy melody and harmonies of the remainder of the album. Tracks such as "Images" and "Final Conflict" reveal the darker painful visions of DIVERJE, while tracks like "You Suck", "Siliconed", and "StepbackUP" demonstrate the hatred that genuine worthy folk have to tolerate everyday.

DISC 2

"Amphibian" remixed by THE MERCY CAGE

An excellent dance mix that stays pretty faithful to the original mix.

"Broken" remixed by E.S.R.

E.S.R. is without a doubt, one the best bands on the scene, and it definitely shows in his remixes as well. This is a fabulous and soothing EBM remix with excellent panning rhythms and triggering synthetic bass licks!

"Images" remixed by AGHAST VIEW

The music of AGHAST VIEW has always been above the norm, and they are always capable of projecting that same sound in remixes for other bands. The "Images" remix is no exception. A nice stripped down remix with an excellent dance beat and terrific harmony!

"In2The Trap" remixed by E.S.R.

Another winner from Vincent Pujol. This is the kind of Industrial/EBM mix that makes you want to dance violently around in a circle without caring about who might be watching!

"Deliverance" remixed by BIO-MECHANICAL DEGENERATION

BIO-MECHANICAL DEGENERATION is the new project from E.S.R.’s Vincent Pujol. This remix definitely shows another side of Vince’s talents. Pulsating soundscapes and a menacing storm trooper beat!

"Companion" remixed by AUSPEX

This is a completely different mix from the original version on DISC 1. This is Industrial Dance at it’s best! A few new added melodies on top of a 4-on-the-Floor EBM beat!

"Broken" remixed by THE MERCY CAGE

The added rthythmic sound effects in this mix are without flaw! The beat is incredible! I can’t even describe it!

"Red-Eyed" remixed by DATA RAPER

This is a great dreary version. Very dense and saturated with all kinds of sounds and rhythms but warm and soothing as well.

"In2The Trap" remixed by FR/ACTION

This mix also stays pretty faithful to the original verion on DISC 1 with a few added melodies.

"Deliverance" remixed by TECNOMAN S.F.

This is a pretty good electronic remix. I wouldn’t say it is techno necessarily, but this is most likely the version you will hear in the club.

"Red-Eyed" remixed by BIO-MECHANICAL DEGENERATION

Excellent rhythms in the beat and effects. There is a wicked cool synth-bass line that pans throughout a few parts of the mix as well.

"Broken" remixed by BABEL-17

A nice simple dance beat layered with warm distorted sounds as well as Tommy’s distorted voice in the foreground. A very clever EBM remix!

"In2The Trap" remixed by SYSTEM SYN

This is a very powerful and upbeat Industrial version. Many distorted frequencies, echo-effects, and warm melodies drive this remix.

"Amphibian" remixed by CROC SHOP

This is almost entirely a CROC SHOP track, and resembles very little similarities to the original version of "Amphibian". Excellent changing rhythms and harmony in this one. I’m sure Mick Hale wanted to keep this one for CROP SHOP.

Similar to the previous studio album ON SKIN, AMPHIBIAN is an excellent display of diversity, skill, and experience. DIVERJE, as well as other DSBP labelmates, have really pushing the envelope of sound and redefining what the Electronic standards should be.

review by Luke R. (DJ IZ)

Summary

"Amphibian" is a tribute to the excellent music and sound that Diverje is known for. At the same time it's also a great progression in Diverje's sound, as it involves collaborations throughout almost the entire album. Projects such as E.S.R, Bio-Mechanical Disintegration, Liar's Rosebush, Moon Rock, Auspex, Korrupt Data, Liquefaction and Soul Circuit (as well as other individuals who may not have a project to name, but are still amazingly talented) contributed to this release. Outside of the electro-industrial sound that Diverje has produced, stronger elements of drum'n'noise, breakbeats, and electro are present.

This album also has some amazing lyrics, which I encourage everyone to read, as a lot of emotion went into them. To quote Tommy T from the CD booklet, "This album is my story about the human race, some of its biggest failures, flaws and personal divisions, and stories I have to tell as well". So don't just let these tracks go in one ear and out the other - soak them in as they have more feeling than fluff. If you want fluff, turn on top 40 radio.

The CD also presents a lot of nature sounds, which further add to it's uniqueness. I think it's pretty obvious why the album in titled "Amphibian" .

One thing to note for DJs is that quite a few songs this CD are club-friendly. I found myself thinking of all types of ways to add these tracks to a mix, and that's not even on the remix disc. This may not have even been an attempt to appeal to clubs, but it works out all the same without any compromise to the uniqueness of Diverje as a project.

Disc 1:

Broken - The whole CD starts off with a nice mellow intro, with the sounds of nature that you'll see throughout the disc (actually it's a poison arrow dart frog..I read the notes!). The song takes off into very catchy beat, which would be welcome in any club mix. The traditional Diverje-style harsh vocals dominate on this song, along with some really nice synth work. One nice part is the drum'n'noise style breaks in the song, which really gives it a unique sound.

Amphibian - This could also fit into a club mix. Amphibian comes in with a nice, pounding beat and some very catchy synth work. The guys from Moon Rock did programming and composition work on this song, and is a tribute to how well these projects worked together in infusing their sounds. Vocals are more melodic on this track than you've heard in a lot of previous Diverje tunes, and pretty much tell the story of what could be an "Amphibian's rights" anthem.

Deliverance - This one starts out in a dark and spacey/sci-fi way, and works up into some breakbeat style drums layered with a more club-friendly beat. You can hear the E.S.R. influence on this with the darker edge that it takes on (as opposed to the last track). Vocals are back to the Diverje-style you've come to know and love, and at the end pick up a lot more emotion.

In2The Trap - To sum this one up is easy: super-stompy track, great bouncy synths, super-harsh vox. This is yet another club that should find its way into a club night (if the DJ can appreciate good music). Nuff said.

Images - Slower electro-industrial tune, with some half-harsh/half-melodic vocals. Sweeping soundscapes and both crunchy and piano-style synths on top, with the assistance of Vincent Pujol of E.S.R.

Red-Eyed - This is how industrial music should sound - progressive synths into a very stompy set of drums (militant-style cadence if you will). Vocals and lyrics are full of rage, very harsh and very cool.

StepbackUP - Sweeping dark orchestrations begin this track, and are replaced by more electro-style production as the song takes off. A very hard beat to it, with some more great vocals, including some "Robo-Tommy" style vocals. This track is more electro-oriented than others you'll find on the album, but is another tribute to the diversity of this release. Definitely not cheesy MIDI-electro crap.

Stronger - Some more electro elements in this one, along with some bouncy and crunchy synth work. I hate to compare this to synthpop, but it's almost like "Diverje-pop". Hard and evil, but with some elements of synthpop out there. A slower track overall, but beautifully orchestrated with some very emotional vocals and lyrics.

Companion - Well-programmed dark intro, and a progressive beat into another slower track. A very cool orchestrated female voice in parts really adds to the track. This one was a collaboration with the guys from Auspex, who do some great synth/programming work. This is a more electro-industrial style song.

Siliconed - This track is like an arp gone mad! Very cool bouncing electro tune with a minimalistic beat. Great vocals with a move to some more melodic stuff along with the harsher stuff. Mikey Turner (who did mastering work on both discs) collaborates on this one. The use of guitar (acoustic) is yet another interesting element infused into this release. What's cool is that something that seems so out of place (acoustic guitar in an electro track?) isn't out of place at all. Kindel from Liquefaction provides this.

You Suck - I'm sorry, but the guy's voice at the beginning is just hilarious! The track is nothing to laugh at though - dark and brooding with exceptional work exclusively by Tommy T. It's no surprise that he's the only one working on this, if you read the lyrics (which you really should), you can see that this is his mantra put to music. Not a club filler, not stompy, but a damn good song which people will hopefully listen to and take to heart.

Final Conflict - Final conflict moves into some harsher industrial music - for some reason this made me think of Hocico, so I'd say it's in that vein of music. The lads from Auspex and Randall Smith from Korrupt Data provide some sweeping synths and excellent composition work on this one. The vocals are matched perfectly with the feel of the music.

Re-Animate - This one starts with some dark-industrial orchestration, and stays into a slower-style track. Fans of the "classic" industrial sound will really appreciate this one.

PolliWog - Pseudo-experimental electronics on this instrumental track. Along with Atari-style arps there are some really moving orchestrated soundscapes and some nice drum kicks added in.

The Remix Disc

It almost seems unfair to summarize the remix disc as a whole. Each project/artist who spent the time to work on these tracks did an awesome job. But summarize I shall! No, this isn't a "club-exclusive" remix disc, although there are some really great remixes which have done a really nice job at creating such a sound. Each artist has taken the track and molded it further into something unique and new. One thing that surprised me was that David Friede's project Fr/action has a remix. Fr/action is known for its futurepop sound (although it is a "darker" futurepop), and does a great job adding this style to In2The Trap.

Overall the lineup of remixers is great: The Mercy Cage, E.S.R., Aghast View, Bio-Mechanical Disintegration, Auspex, Data Raper, Fr/action, Technoman S.F., Babel-17, System Syn and even Croc shop. I leave it to you to listen to pick a favorite, as they're all too good for me to pick one.

I am more than happy to support you and your label! I have never received such fast service in the mail...thank you very much!!!! As for your latest cd...I LOVE IT! This is one of the best albums I have heard in a such a long time. It is rare to hear music that is truly innovative and well written these days. The artwork is really nice as well.

I hope this cd does really well for you! Also, thank you for including the stickers and the multiple pages of interviews and album information! Once again thank you very much for the wonderful service and good luck with everything!

Take care,
Elijah Damien D!

Diverje has always been an adventurous band & never more so than on this mighty double which collects together a whopping 31 remixes of Diverje tracks. The varied musical contacts & friends that Tommy T. Rapisardi (who also runs DSBP & Cyberage Radio) has gained over the years make for an album that is difficult in places & often complex although patience, perseverence & an open mind rewards the adventurous listener who is prepared to follow where the album leads.

Looking down the list of contributors it's hard to be impressed & perhaps slightly overawed by the names to be found here &, while it's unfair to leave any contributors out, to mention them all would turn this review into a novel!

Assemblage 23's version of "On Skin" that opens the album seems to be giving you an easy start as this is among the more accessable tracks, along with the typically American EBM of Babel-17's two tracks or the harder dance styles of Andrea Bellucci. The mixes by Simulator, Count To Infinity & Moon Rock's synthpop/futurepop stylings are all given a harder edge by the source material, meaning that the artists involved may well have been influenced themselves by the Diverje sound even while they were incorporating their own styles into the originals & taking the opportunity to spread their own wings stylistically. This is definately true of Control. Org Vs. C2's version of "Reject" where the future pop leanings of the former are overtaken by an ultra-pacey industrial avalanche or SMP's collaboration with Static Engine on the same track. In this latter case the two differing styles mix more noticeably, engaging in a constant tussle for supremacy.

For the most part this is an uncompromising & hard hitting album but one that also goes to show how progressive & innovative industrial music can be with bands such as DJ Riot's ultra-fast aggro-electro & Testube's mix of "Put The Flesh In" where Jeff Danos (who also did the logo & artwork) takes all manner of liberties with the source material, you never quite know what is going to happen next, which was probably the whole point of the exercise.

Over on disc two Symbiont's ultra-fast EBM & the innovative noise/dark industrial soundscapes Monstrum Sepsis gets proceedings off to a scorching start, meaning that there's no let up on this disc. Da Riot Squad combine funky breakbeats into the industrial maelstrom which is yet another example of Rapisardi's knack of choosing remixers who bring something different to the music with In_fused's melodic, ethereal but tension-filled number showing yet another facet of electronic music &, again, proving how differently the same track can be seen by different artists. In amongst all the remixes you'll find two Diverje tracks, starting with a cover of the Devo track "Planet Earth" (recorded with the band's blessing) & "Shivering Skies", a new track that was Inspired by September 11th. The mix of melodic & atonal sounds make for a haunting, dark conclusion to a mighty album that might not be for everybody but proves a continually inspiring listen for those who dare to take the plunge.

Released: 2002 Label: DSBP Cat No: DSBP 1043 contact: www.dsbp.cx Rating: 8

Carl Jenkinson

The 4th cd of DIVERJE is a particular one...being contaminated through the dangerous remix-virus,this double(!)disc features 32 tracks!Leading member Tommy T.ssked several of his friends to expose his brainchild to their care and creativity! well,to be honest,the result is pretty exciting!I like the diversity of the remixed versions,moving from pure EBM,to industrial poppy fields.on the 1st disc,ASSEMBLAGE 23 opens the fire with a dark and catchy remix of "on skin".The next piece is remixed by Matt Rosen of LIAR'S ROSEBUSH, (this guy became a kind of DIVERJE member for the coming album),in a powerful body-jungle style.COUNT TO INFINITY,and ANDREA BELLUCCI(of RED SECTOR A) add a personal and poppier approach on their respective remixes of "damaged" and "on skin".If you prefer hard hitting body stuff,SMP vs. STATIC ENGINE did a mind-blowing job on "reject".CODEC brings us back into modernism with and D&B influences on "damaged".The poppier style has been accentuated through SPELLCASTER while recovered through a sort of wafting mood.BABEL-17's ,Jamie Rosen made 3 remixes on the whole album.I really like the dub minded version of "reject" while on the 2nd disc he goes deeper into acid manipulations on the excellent "on skin". Other attention grabbers on this next disc came from MONSTRUM SEPSIS.Thier heavy and bombastic industrial mix of "reject" is simply terrific!The best is yet to come with the trance style of XYN remixing "on skin"and the pure acid bleeping "reject" already by Matt Rosen of LIAR'S ROSEBUSH. If you definately prefer the dark electronic style of the project,DIVERJE themselves realized a cool cover of DEVO"s "planet earth".Among the other artists who have been asked to contribute for the purpose are -IDIOT STARE, TESTUBE,MOON ROCK,and JAMIE ROSEN as a member of different other projects. This concept creates a new and refreshing sound of DIVERJE and is worthy of examination! (DP:7) (SIDE LINE no.42)

2:40am is the latest release from Diverje that is a remix of the album "On Skin". This is a double cd with a large array of groups from different types of industrial genres putting their spin on diveje's sound.

On the first disc you start with a remix of "On Skin" by Assemblage 23. This mix has that club friendly sound the Assemblage 23 carries, but combined with the slightly distorted vocals of Tommy T gives it a nice edge. The song "Stimulate" gets a mix by Idiot Stare. This track has more of harshness to it, with its head pounding beats, haunting strings and distortion. It had a style that reminded me of Aghast View. Label mates Control.org in conjunction with their side project C2 give you their mix of "Reject. This mix had very tight beats with lots of noise effects and again more distortion. "Reject" also gets a face lift by such groups as Monstrum Sepsis, SMP vs. Static Engine, and T.O.T.S. Testube gives you a mix of "Put in the Flesh" This is an older mix but with its funky beats and vocal sampling makes it a goodie. The song "Retaliate" gets mixed by Symbiont, Moon Rock, and Simulator. Symbiont's mix is one of the stand out tracks on this disc. it has a fast tempo to it w ith the usual harsh sound, with distant strings. It also has vocal samples from the 9/11 attacks. This song would sound great live. Moon Rock's version has a very catchy beat and some awesome strings. Spellcaster and XYN do revisit the song ^ÓOn Skin^Ô. Both mixes are very dance club friendly with a trance element. There also is a Devo cover of "Planet Earth". That track you need to hear to believe.

Overall this is a very diverse cd that touches almost every part of industrial music and with 32 total tracks it shoots from both quality and quantity. If you^Òre a Diverje fan or not this cd is worth picking up.

This is a double disc set of Diverje remixes by various industrial musicians and friends of DSBP label founder Tommy-T. There are many great bands featured such as Assemblage 23, SMP, Codec, Testube, Ceoxime (Headache), Symbiont, Monstrum Sepsis, Xyn, and many others. There is also a Devo cover on disc two and a brand new track called "Shivering Skies" which will also be featured on the new Electro Agecompilation produced by our own site in collaboration with Latex Records when it comes out.

Wow!

The Clash released a Triple CD called Sandinista which I feel is a classic album because of it's diversity and innovation. 2:40 AM reminds me of that feeling with it's quality, diversity and innovation.

Another thing that blows me away is that you have incredible mixes by a large group of underground artists. It's like a community of musical force and you are the Alchemist that put it all together.

I am so impressed. You got me slamming, tripping, dancing, singing, remembering, and having even more faith in the future of this music.

Incredibly Well Done, Tommyt. I predict that you will be rewarded for your efforts on a level that you might not expect.

Dan
Moon Rock

On Skin Reviews
review by Badger
review by DJ Rodent


DSBP is a American label that has bands like "Biopsy", "Testube", "Ionic Vision" and "System Der Dinge" The owner Tommy T has also the radioshow called Cyberage Radio. On Skin is The American band "Diverje" third album. Diverje is a pure Industrial/EBM band with a bit of distorted vocals, their music is quiet hard and very danceable for the club dance floor. Diverje has got some good melodies with nice keyboardsounds in their music. Sometimes they remind me a bit of bands like Numb and Deathline International. The production and the mastering is the best I have heard from the DSBP label so far. On skin has got 2 pure club hits "Regret" and special the song "On Skin" that is a masterpiece! On Skin contains 5 powerful remixes by, Converter, Painstation, Ionic Vision, Cydonia and Thine Eyes/ML. You get 74 minutes full of good Industrial/EBM music.

--Brain
Club Metropolis & Midnight Machinery
www.club-metropolis.dk

   In between holding down the most popular industrial Internet radio show Cyberage and managing his DSBP label, it seems that Tommy T has found time to work on the third full-length of his project Diverje. On Skin is very different from what we were used from Diverje before, completely leaving the heavily distorted electro-metal world of the project's past incarnations for a new venture into danceable and melodic electro.

    As well, we know Diverje to be an amalgam of various styles attached to the electro-industrial realm and On Skin is still holding this project's feature. But, unlike the past albums, Diverje is incorporating its various influences into the totality of the tracks found in the album instead of jumping from a genre to another. But the most important change in Diverje can be found in the vocal's treatment, the usual guttural voice is absent, replaced by a distant and distorted one with a similar treatment from some recent Mentallo & The Fixer's material.

    From the opening Regret with its solid industrial rhythm highlighted by techno beats we know that Diverje isn't the same and the infectious chorus of the track is simply reinforcing our anticipations. It continues, as well, with Suspicion, a rather solid EBM track; followed by the title track, an impressive work of melodic and danceable electro which, alone, is holding the power of the album. Damaged is another stand-out track moving with fast-paced break-beats and chiming synths covering the rhythmic field. Featuring Jeff Danos from Testube, In My Shell is a very accomplished electro track with a complex layering of sounds over a stable EBM rhythm. The next five tracks are the harshest moments for On Skin where Diverje is experimenting with electronics while incorporating elements of noise in their compositions, not every track is a rousing success but the overall is holding the interest. No Solution is particularly notable with its complex rhythm saturated by overdubbed electronics, cut-up samples, computerize guitars and screaming vocals for a quite explosive result.

    Found at the end of On Skin are five remixes of tracks from the Existence album. Converter suits perfectly for the opening of this collection of remixes since the end of the album is quite heavy and its remix is a rather solid fast-paced powernoise interpretation of Disconnect. The mother project of the aforementioned band, Pain Station, donates a superb gloomy electro remix of the same song and Thine Eyes/ml is closing the album with their twisted technoid remix of Mesmer.

    An obvious growth of maturity and musical skills in both its sound and content makes of On Skin a rousing success, showing of what Diverje is truly capable of.

Diverje are: Tommy T. Rapisardi, Mikey Turner, Andrea Belluci and Cyboburnt.

Review by Final Man @ Electroage